#TheRebel #叛逆者 #ZhuYilong #朱一龙 #TongYao #童瑶
USE OF MISE-EN-SCENE AND NARRATIVE ELEMENTS TO CREATE MEANING - Lin Nansheng + Zhu Yizhen
[
Version 2 18th August 2021
-- added a section on the use of Walt Whitman's One's-Self I Sing
in the section on Whitman. I can't believe I forgot about this key
scene. 😅 Also, other minor grammar, spelling & formatting errors]
Preface:
I have already written a review on this series if you would like to read it,
please
CLICK ME. That review is spoiler-free. Unlike the review, this post will have
SPOILERS, please read at your own risk. Also, this post assumes
that you have already watched the entire series because there won't be a
synopsis and references to scenes won't be in chronological order.
I
had originally written these additional comments as part of the review but it
kept expanding, so I decided to finish the review and publish it first, if not
it might go the way of the many posts that I have started and never
finished. 😁
I have also decided to write at least one more post on
The Rebel because I have enough material already written to start it
but I will need time to finish it and that will probably take a while which is
part of the reason why I'm splitting up the post again. When that post
is done, I will edit this post and post that link too. If time permits
and I still retain an interest in writing more about the series, I might still
write one more. When either one of those posts gets completed, I will
rewrite this paragraph and post the links here.
(Timecodes may vary slightly depending on which version of the series you
are watching. Some episodes of the version I used had some
advertisements & trailers. If time permits in the future, I
might go back and fix the TC using a version without advertisements. If I
do so, I will note it here.)
(For capsule reviews and links to other reviews of Tong Yao's work,
please CLICK ME)
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