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Tread softly, because you tread on my dreams. - Yeats

UPDATED: Tong Yao Film & TV guide 20th Dec 2025 / Sun Li Film & TV guide 20th Apr 2025
Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Friday, January 24, 2014

Kara no Kyoukai ~ Mirai Fukuin - makes it to a 2nd week of screenings

Cathay
Something real quick before I head to bed.

KnK Mirai Fukuin made it to a 2nd week of screenings.  The timing's aren't that great though, unfortunately for me.  There is no way that I can make any of the screenings during the week.  The only opening left for me is Saturday... dang it... I wish there was a evening screening.. now I'll need to try and shift things around. :(  I badly want to watch this again.

Still... it's good that KnK made it to a second week of screenings.  This isn't exactly a big title, nor is it one of the more popular ones in Singapore. Studio Ghibli's Kaze Tachinu will probably outsell this by a ton of times. Kaze Tachinu will screen in March in Singapore.  I already have a ton of people asking me to arrange something.... wow!!

Anyway, I'm really happy that KnK screened in Singapore and that I got to watch it on the big screen.  While I like Studio Ghibli's work, I actually like other stuff more than Ghibli... um... I actually like Kara no Kyoukai more than almost everything Ghibli has done, except for Nausicaa.  :P

Okay... off to bed.... if any of you haven't watched KnK yet... and you're a KnK fan... make sure that you try and go sometime soon.  I don't think it'll make it to a 3rd week of screenings.

cheers :)

Saturday, February 17, 2007

Just Follow Law - Review



Let me start of this review by telling a joke someone told my mum who re-told it to me. She said that in Singapore, we worship three gods. We worship Kuan Yin (Goddess of Mercy), Kuan Kung (God of War) and Kuan Yew (aka Lee Kuan Yew, currently the Minister Mentor and often considered the father of modern Singapore).

If you're not Singaporean or if you don't know who Kuan Yin, Kuan Gong or Lee Kuan Yew are, you will most likely not find this joke terribly amusing. So what does this have to do with Singaporean director Jack Neo's latest film, Just Follow Law? Well, this kind of humour abounds in this film and it owes its success in part because this kind of humour gives this film a distinctly Singaporean feel and an instant rapport with Singaporeans in general.

As usual, I won't bother giving you a synopsis of the plot as they can be found at these websites Just Follow Law official website and movieXclusive and I don't particularly like writing synopsis.

The basic storyline is actually rather cliche and the Freaky Friday body switching plot device is old. But luckily for us, even though Neo does use the fish-out-of-water situation to create humour, his insistence on casting Fann Wong as the lead female really paid off. Fann is one of the top actresses in Singapore and has been known internationally since her role in Shanghai Knights. While Fann is no stranger to exaggerated comedy, she has never been in a raunchier role than this one and while she does get some mileage from the shock of seeing her being so crude after Lim Teng Zui (played by Gurmit Singh) ends up in her body, one should not take away from her how well she played this role. Fann is genuinely funny here. Kudos too to Gurmit and the rest of the support cast who are comprised of veteran TV comedians/actors like Moses Lim, Lina Ng, Brandon Wong and others who's names I don't know or escape me at the moment.

This time Neo chose to make a satire on the civil service and bureaucracy in Singapore and he gets a lot of it right. While bureaucracy is often as inflexible and full of red tape everywhere, Neo's decidedly Singaporean spin on things is what sets this apart. Here's one example of his inventiveness in incorporating Singaporean slang and a slant on things. The bureaucracy in Singapore is particularly fond of the "black & white". In Singlish, this means that everything you do must be backed up in writing and in this day and age, it means you have to have a copy of it in an email. I know this quite intimately actually. I don't work in the civil service but even in the corporate world, I've been advised time and again to make sure I have the "black & white" to "cover my backside". His use of the CG arrows to illustrate how the word "arrow" is used in Singlish is also quite funny.

Now I'm not a big Jack Neo fan and I feel that many of his films are deeply flawed and that Neo often lets too much of his Mediacorp Channel 8 television roots show through in his film making. But even though I'm often critical of several of his efforts, even his much lauded I Not Stupid, one thing I've never disagreed with is that Neo has an uncanny ability to reach out and connect with the masses in Singapore. And Neo has done it once again and surprising, at least for me, has actually quite perceptibly made several advancements in his film-making.

Like several of his previous films, Just Follow Law can be criticized for glossing over the issues and does suffer from a few common flaws that seem to plague Neo's films, still Neo seems to have learnt a little from his previous mistakes. Unlike his previous films, I think Neo has learnt to be a little more balanced. Previously, in films like I Not Stupid, I felt that Neo in his eagerness to not only express the pressures children can face in Singapore's education system and also to use it as an analogy of our paternalistic government completely forgot to give the teachers' side of the story.

Also, aside from his little poke about the James Gomez issue, Neo chose to steer clear of too many political jokes in this film. This was what I felt was one of the flaws in Homerun. While his jokes about the water issue between Singapore and Malaysia were quite amusing, he did take it a little too far, to a point I felt that it was beginning to detract from the story. Homerun also suffered from Neo's bad habit of over-using melodrama and although there are some moments of melodrama in Just Follow Law, kept them to a minimum and Fann and Gurmit took care to play them subtlety enough that they didn't overwhelm the whole movie.

Neo also has a tendency to do too much preaching in his films and it was his cop-out moralistic ending which killed The Best Bet for me. While Just Follow Law does do a certain amount of moralising, it is without Neo's usual heavy-handedness and he tempers it in such a way that it is sometimes amsuing and occasionally touching at moments. This I also put down to Fann's, Gurmit's, Brandon Wong's, Suhaimi Yusof's and the woman who play's Tanya Chew's mother's acting.

While this will in no way be a classic and this film is unlikely to win any film awards, still it is worth a watch in the theatre. And if one is looking for a light-hearted movie to begin the Year of the Pig with a laugh, then I wholeheartedly recommend Just Follow Law, especially if you're Singaporean. And if one isn't Singaporean, you might still find this film amusing as the jokes about the civil service and bureacracy in general probably rings true in other parts of the world.

Right, it's Chinese New Year's Eve and I'm off to get ready for the traditional Reunion Dinner. Have a Happy New Year guys and may the coming Year of the Pig give you many blessings. =)

Monday, January 22, 2007

One Last Dance (茶舞) - Review


(images courtesy of movieXclusive)

I finally did watch One Last Dance today and I must say that I was pleasantly surprise that the film was more than just decent. You might wonder why I would say something like that but if you know the history of films make by Mediacorp Raintree Pictures you'll know why. This is without a doubt the best film, or at least the best that I can remember, that has been produced by Raintree.

The film is slickly made and has artistic pretensions which mostly work. Although, on occasion, sadly, these pretensions have a tendency to feel a little too deliberate. Stylistically, I think the film looks pretty darn good. It follows film noir tradition and a huge portion of the film takes place at night or in-doors in low light. The film is also deliberately treated and has a gritty, grainy look and sometimes a rather interesting choice in hues. I wonder who did the post work on this film because doesn't look bad to me at all.

Like the film's poster suggests, the plot is like a jigsaw puzzle. And it begins with a series of scenes that seem inter-connected yet don't quite made sense and you quickly figure out that it isn't linear. And so you'll spend the rest of the film trying to make sense of it.

And it works because the director Max Makowski fills the middle with a whole section where things are told linearly and so this whole non-linear way of storytelling doesn't get obnoxious. He also uses the envelope motif quite well and it keeps the audience guessing. It also works because there are several rather amusing exchanges between some of the characters, most notably the exchange between T (Francis Ng) and a young girl named Gu (played by Salina Chung, I think).

But the most important reason why the middle section keeps the viewer interested is a fantastic performance from Francis Ng. He practically carried this entire film on this slim shoulders. His smoldering and intense glare is mesmerizing and yet when needed, he is able to smoothly and subtly introduce the variety of emotions that only a great actor is capable of.

The ending, when all is revealed is also smoothly done. It is both well paced and, clearly and stylistically told and is quite satisfying indeed. If you've not seen the movie, please do not make the mistake I did. Stay till the end of the credit roll because there is apparently a gem of a scene a the end and at this point in time, I have no idea what it is about. I might just have to see this film again and if I don't have the time or opportunity, then I'll just have to wait for the DVD release.

Unfortunately, there are several flaws that prevent this film from becoming a great film. Earlier I mentioned the sometimes borderline pretentious and deliberate artistic flourishes in this film. But that didn't trouble me quite as much, what did trouble me was that it sometimes just feels too much like a hybrid of a Quentin Tarantino - Johnnie To film. The quirky, amusing dialogue which have nothing to do with the plot at all and the multitude of strange, quirky characters who only appear for a brief moment bear all the trademarks of a Tarantino film. The overall look of the film, the pacing, the storytelling, the wardrobe and even the score remind me of either a Johnnie To film or a Milkyway Image production and Hong Kong films in general. And perhaps my familiarity with these genres and styles made it difficult for me to feel that they meshed well together at all.

It was also a pity that the main female character Mae was played by Vivian Hsu whom I've never liked as an actress. Yes, she is hampered by a limited character but I don't think she did enough to give this character any kind of depth even when she had the opportunity to. And I do think it is possible to make the audience really connect with this character. After all, if Carina Lau and Ada Choi can do it in films like Infernal Affairs 2 and Once Upon a Time in Triad Society 2, I certainly don't see it as a valid excuse. Hsu was simply the wrong actress to use. In fact, I even dare to suggest the use of one of our local Mediacorp actresses. Yes, I do believe that there is some quality in the local MCS actresses unlike what one review of One Last Dance implied, I don't believe that MCS actresses are necessarily mediocre. I feel that someone like Cynthia Koh, for example, would probably made this character come to life. And why do I go on and on about it? It is simply because, this character, though small and limited, is important because she means a great deal to T and the audience has to feel that she is worth his attention and Hsu just didn't bring any of that across.

I also wasn't 100% in love with Joseph Quek's (Ko) performance. He is actually good if one considers how inexperience he is but unfortunately, he's no Sam Lee or Chapman To. Picky old me just wishes a little bit that he was.

On the whole though, I think this is a pretty good film. It has high production values that are maintained throughout and it does hold one's attention. It has a relatively smart script and it is mostly well directed. While it has its hiccups, they do not detract from the overall quality of the film. Local audiences might find some additional amusement from picking out local celebrities like Chen Tianwen, Zzen, Zhou Chongqing and Hossan Leung or even Paerin Choa who might be familiar to those who have seen the short clip "Dao Gay" Not Enough. Local audiences might also find how Singapore was shot in the film interesting as they kept it so nondescript most of the time, you wouldn't know it was Singapore at all except for a few recognisable landmarks like the bridge who's name I can't recall and road signs that say Tiong Poh Road.

Monday, January 08, 2007

One Last Dance (茶舞) - Update


(image courtesy of movieXclusive)

It's going to be a short and simple post today. Had a long day at work and will go to bed soon.

Thought you guys might be interested in a few new links for One Last Dance. Mediacorp Ch5's website has interviews with Francis Ng, Ti Lung and a page devoted to the Gala Premiere at Vivocity. Click here, here and here.

The Gala Premiere page isn't that interesting unless you want to see pictures of Francis Ng, Ti Lung and a couple of Singapore celebrities. The most interesting thing about the page is the interview with Singaporean filmmaker Royston Tan who directed 15 and 4:30. I've not seen either but would like to see both someday. Will probably get 4:30 soon. Royston Tan talks about his upcoming projects in that page. He mentions the use of an all female cast in his next film which is scheduled to begin production in March and he also mentions that he has plans to turn his documentary Sin Sai Hong, which is about a Chinese opera troupe, in Singapore into a film.

Not sure if I can catch this film anytime soon, busy month, but will try and then will probably let you guys know what I think.

Right, that is it from me.

Good night. :)

Friday, December 29, 2006

Movie - One Last Dance (茶舞)

Check out this trailer. :)



I've been seeing the trailers on tv for the last month or so and they look good. I'll probably go watch this new Mediacorp Raintree Pictures film once it comes out. Hope it's not pretentious. Then again it has Francis Ng and I think I actually know the editor who cut this film and this might just be the film that my friend's brother has a bit part in so guess I'm going. :)

According to an article on Channel News Asia today, the film is set to open in Singapore in Jan.

Here's the article itself from CNA. CNA only archives their articles for 7 days unfortunately, so I thought I'll copy and past it here.


MediaCorp Raintree Pictures' "One Last Dance" to hit cinemas in Jan
Posted: 28 December 2006 1906 hrs


SINGAPORE : The movie may be called "One Last Dance", but this MediaCorp Raintree Pictures production is certainly "first" in more ways than one.

The Chinese triad-mafia thriller was the first Singapore film to have its world premiere in the US earlier in March.

It was also the first local film selected for the Sundance competition, one of 16 out of over 900 submissions.

The movie, shot entirely in Singapore, boasts a star-studded cast, including Hong Kong actors Francis Ng and Ti Lung and Taiwanese actress Vivian Hsu, and various MediaCorp artistes.

American actor Harvey Keitel also made a special appearance.

Brazilian writer and director Max Makowski hopes the movie will help turn more attention towards Singapore films, and is happy that it is contributing to what he calls the "blossoming" local film industry.

The gala premiere of "One Last Dance" is on January 4 at VivoCity where the stars of the show will walk down the red carpet.

It will hit cinema screens islandwide immediately after, with sneak previews from January 5 to 7 and its general release from January 11.

This makes it the first Singapore film to be released in 2007. - CNA/ms


Here are some links to the trailer and other bits of information:
Raintree Pictures - info
movieXclusive - trailer and info
Variety - review
eFilmCritic - Interview with the director