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Tread softly, because you tread on my dreams. - Yeats

UPDATED: Tong Yao Film & TV guide 20th Dec 2025 / Sun Li Film & TV guide 20th Apr 2025
Showing posts with label tv series. Show all posts
Showing posts with label tv series. Show all posts

Friday, May 24, 2024

Review: A Heartfelt Masterpiece: 'Tender Light' Shines Bright

#TongYao #童瑶 #微暗之火 #TenderLight #ZhangXincheng #张新成​​​ #cdrama
(SPOILER FREE)

Tender Light defies conventions as a bold and daring Chinese drama series that takes risks, potentially alienating some viewers—but undoubtedly rewarding those willing to invest time and effort to understand its narrative. This series demands a mature and dedicated audience, losing some fans of the starring actors who sought a more straightforward experience. However, for those who appreciate complex storytelling and innovative techniques, Tender Light shines as a rare gem. Despite some missteps in the final 15 minutes of Episode 28, the overall brilliance of this 28-episode series far outweighs its flaws. The 'tender light' it emanates may be subtle, but its impact is profound and lasting. 

Sunday, May 12, 2024

Chinese drama: Tender Light 微暗之火 - alt TV ending

 #TongYao #童瑶 #微暗之火 #TenderLight #ZhangXincheng #张新成​​​ #cdrama

Tender Light - Tong Yao

Tender Light aired it's final episode on CCTV8 on the 11th May after SVIP viewers on Youku watched an advance release one day before.  The conclusion of the Youku version was almost universally panned by fans and it's not hard to see why.

VIEW ALT ENDING BELOW ~~~ SPOILER WARNING!!!!

Tuesday, July 27, 2021

Additional Comments 1 ~ The Rebel (叛逆者) 2021

#TheRebel #叛逆者 #ZhuYilong #朱一龙 #TongYao #童瑶 

USE OF MISE-EN-SCENE AND NARRATIVE ELEMENTS TO CREATE MEANING - Lin Nansheng + Zhu Yizhen


[Version 2 18th August 2021
-- added a section on the use of Walt Whitman's One's-Self I Sing in the section on Whitman.  I can't believe I forgot about this key scene. 😅 Also, other minor grammar, spelling & formatting errors]

Preface:
I have already written a review on this series if you would like to read it, please CLICK ME. That review is spoiler-free.  Unlike the review, this post will have SPOILERS, please read at your own risk.  Also, this post assumes that you have already watched the entire series because there won't be a synopsis and references to scenes won't be in chronological order.

I had originally written these additional comments as part of the review but it kept expanding, so I decided to finish the review and publish it first, if not it might go the way of the many posts that I have started and never finished.  😁

I have also decided to write at least one more post on The Rebel because I have enough material already written to start it but I will need time to finish it and that will probably take a while which is part of the reason why I'm splitting up the post again.  When that post is done, I will edit this post and post that link too.  If time permits and I still retain an interest in writing more about the series, I might still write one more.  When either one of those posts gets completed, I will rewrite this paragraph and post the links here.
(Timecodes may vary slightly depending on which version of the series you are watching.  Some episodes of the version I used had some advertisements & trailers.  If time permits in the future, I might go back and fix the TC using a version without advertisements. If I do so, I will note it here.)

(For capsule reviews and links to other reviews of Tong Yao's work, please CLICK ME)

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Thursday, July 01, 2021

Review / Comments ~ The Rebel (叛逆者) 2021

 #review #TheRebel #叛逆者 #ZhuYilong #朱一龙 #TongYao #童瑶 #WangYang #WangZhiwen # ZhuZhu #LiQiang


(For capsule reviews and links to other reviews of Tong Yao's work, please CLICK ME)
(For Additional Comments 1 ~ USE OF MISE-EN-SCENE AND NARRATIVE ELEMENTS TO CREATE MEANING - Lin Nansheng + Zhu Yizhen, please CLICK ME) 
(For Additional Comments 2 on  The Rebel, please CLICK ME -- currently WIP, will update this post when the link is ready)


The Rebel is an espionage series set in China during the Republican Era.  The story centres on a young cadet, Lin Nansheng 林楠笙 (actor: Zhu Yilong 朱一龙) who was plucked out of military school even before graduating by the head of the Shanghai Branch of the Fuxing Society to help flush out the Communists spies in the city.  Chen Moqun 陈默群 (actor: Wang Yang 王阳) is mostly concerned about trying to capture a mole within the Shanghai Branch.  He decided to recruit a new face into his team because he knew that there was a mole in his branch and had begun to suspect everyone there.  He chose Lin Nansheng because he noticed the young man's intelligence and powers of observation.

Friday, March 29, 2019

Review ~ Happiness as Flowers (2005) #幸福像花儿一样 (#孙俪 #SunLi)


This is the first time real life couple #SunLi (#孫儷) and #DengChao (#邓超) have worked together.  When they made this drama, they were only a reel life couple and only became a real life couple some time after this series and before the 2008 series Tian Mi Mi (甜蜜蜜).

I actually finished most of this review in Dec 2018 and hoped to publish it before the year turned because last year happened to be the 30th anniversary of China's Reform and Opening Up which would be kind of fitting since this series has something to do with it.  However, lots and lots of things got in the way and, in the end, I can only call this just one of many missed opportunities.

This is part of my ongoing effort to watch all of Sun Li's work and honestly, when I first decided to try this series, I was a little worried that it might be a difficult watch.  I don't particularly like idol type dramas, nor do l like generic sappy love stories that are designed to draw as many tears out of the viewer as possible.  As I was under the impression that this was a generic teary romance, I approached the series with a little caution.  However, it turned out to be a surprisingly interesting series, albeit with some caveats.

Friday, November 16, 2018

Review ~ One Metre Sunshine (2003) #一米阳光 (#孙俪)


One Metre Sunshine (一米阳光 ) is the fourth series that Sun Li (孙俪) has acted in if we don't count the one where she was an extra with no lines.  This is also the second time she's acted opposite Peter HO Rundong (何润东).  The first was in Goddess of Mercy (玉观音) which I also wrote a review of (click me).

Like a lot of Sun Li's older series, there is little information in English so I will write a synopsis of this 29 episode series.

SPOILER FREE SYPNOSIS

The story begins with a chance meeting between Yi Chuan Xia (Sun Li) and Jin Zheng Wu (Peter Ho) in Shanghai. Chuan Xia has been sent from the Nian Corporation's head office in Canada to be the manager of their Shanghai branch.  Chuan Xia is having an affair with her superior Nian Liang Xiu (Ai Wei) who is also the younger brother of the Chairman of the Nian Corporation.  Nian Liang Xiu sent a bottle of wine to Chuan Xia and the delivery man happens to be Jin Zheng Wu aka Xiao Wu and that is how they first met.  Xiao Wu also works as a talented bartender in a bar that Chuan Xia happens to frequent.  He quickly takes a liking to her and begins to woo this mysterious woman who is happy to check out the city with him but not happy to answer any personal questions about herself.

Friday, November 02, 2018

Review ~ Goddess of Mercy (2003 drama) #玉观音 (#孙俪)


Goddess of Mercy (玉观音) is Sun Li's debut drama.  Well, technically she's been in at least one previous series before but that's as an extra and it's a non-speaking part.  This is the fourth series starring Sun Li that I have ever watched.  By this time I am already a huge admirer of this excellent actress.  It only took one series and that's Nothing Gold Can Stay (那年花開月正圓).  I still hope to do a post on that series but that might take quite a bit of some time and so I thought I would do something that I think I might find easier.

I am trying to watch everything Sun Li has ever done to get a full understanding of her evolution into the exceptional actress that she is today.  So there's no place better to start than by watching her award winning debut performance.  This is the performance that heralded the arrival of a star-in-the-making which by default makes it an important series for anyone who is interested in Sun Li's progress as an actress.

Tuesday, February 19, 2008

Mail Order Rocks!

Lately it seems that all I've been doing is working and it didn't help that the first thing I see after I checked my email today is a thinly veiled personal attack on my apparent lack of taste because I had nothing good to say about a TVB series called "Steps" and because I dared to actually suggest that Chen Fala was NOT devoid of acting ability in said series. Strangely the person who left me that comment actually seemed to think that I would find it immature that they didn't leave a name other than "anonymous". Shouldn't my only logical reaction be to react to the immaturity of the content of the message and not the fact that someone left me a message signed with an unverified nickname or name?

I know I shouldn't be surprised that I might attract this kind of comments from time to time and I suppose I've been lucky that there haven't been more as I'm often not kind to series that I find terrible. I suppose the lack of such comments in spite of my trashing of several TVB series in my blog has lulled me into a false sense of security. Sigh... it must be one of those days... =(

Anyway, in order to chase the blues away, I thought I would just ramble a bit about my new obsessions, Matsushima Nanako, Japanese dramas and learning Japanese. =)



Now as you guys who know me well know, I'm simply terrible when I get obsessed. I was like that with Ada Choi for a while and now it's the same with Matsushima Nanako. And like it was with Lau Ching Wan, Moon Lee, Jade Leung and Ada Choi, I've set out to try and watch everything Nanako has ever been in. Now I failed with Lau Ching Wan simply because the man's filmography is like ridiculously long and a lot of it is quite un-watchable, so much so that even I the crazy completist cannot find the strength to continue the struggle, so I gave up. =) Thankfully, Nanako's filmography is only a fraction of Lau Ching Wan's and is mostly filled with quality work and so I have had little trouble watching most of it. The most difficult part right now isn't the watching, it's the getting.



After a great deal of effort, I've managed to acquire almost everything that Nanako has been in and today I added a very difficult to find title to my collection. =) The best part of today was to find in my mailbox, the dvd of 「加賀百万石 母と子の戦国サバイバル」 (kaga hyaku man seki ~ haha to ko no sengoku sabaibaru ~ ). =) Sadly, this made for tv title doesn't have any English subtitles but I'm happy to get it nonetheless. See... told you I'm a nutty completist. =)

I can't really figure out the exact dates this particular story is set in since it's in Japanese with no English subtitles and my knowledge of the Japanese language is quite sad at the moment. What I can figure out though is this, this telemovie is set in the Sengoku era in Japan's history and seems to concentrate on Toyotomi Hideyoshi, Maeda Toshiie and Maeda Matsu's twilight years. If you're a Jdorama fan, you would most likely have watched, or at the very least know of, this popular and highly rated series called Toshiie and Matsu (利家とまつ). This series which stars Nanako as Maeda Matsu also has in its cast some of her generation's most popular and talented stars.



There are a few points of interest if you're a Nanako or Toshiie and Matsu fan. It might amuse you to watch the young Nanako play the proud Lady Yodo in this telemovie. This telemovie was made in 1999 and Nanako played 淀殿 , also known as Cha Cha or Lady Yodo, Toyotomi Hideyoshi's concubine and Lord Oda Nobugana's niece. Who would have known then that 3 years later, in 2002, she would go on to portray with greater success the wise Matsu of the powerful Maeda Clan. Lady Yodo doesn't feature much in either Toshiie and Matsu or "kaga hyaku man seki ~ haha to ko no sengoku sabaibaru ~ ". At the time she made this telemovie, I don't think anyone knew then that she would become one of the most famous and popular Japanese drama actress of her generation.

Another point of interest is that Takashima Masahiro who plays Maeda Toshinaga really looks like the same guy who played Tokugawa Ieyasu in Toshiie and Matsu. Now if only I understand Japanese, I'm currently 10 or so episodes away from finishing Toshiie and Matsu and it would be interesting to be able to compare how they each portray the events of that time.

Wow, it's already 2:40am... sigh... will need to sleep now. Too bad, maybe next time I'll have enough time to give a brief comment on the other Nanako series I've seen and also talk about Jdoramas on the whole and maybe even touch on this other TVB series I finished watching during Chinese New Year

Anyway, that's it for now... good night. =)

Tuesday, January 01, 2008

Matsushima Nanako

First let me wish all you guys 新年おめでとうございます (Shinnen omedetou gozaimasu), Happy New Year to all of you and may the new year bring you much joy.

My interest in Anime and video games led me to this wonderful Japanese drama called Nodame Cantabile. A drama I went into somewhat rambling detail about how much I love it, love classical music and how much I love the cast in particular Ueno Juri (
上野 樹里) and Tamaki Hiroshi (玉木 宏). As a result, I decided to sign up for a Japanese language class in the hopes that one day I might be proficient enough that I would be able to watch anime and jdorama without relying on English subtitles.

Then Poh Kim, one of Singapore's largest dvd/vcd distributors, began importing tons of Japanese dramas into Singapore and I decided to get a couple of them.

What I definitely didn't bargain for is my new current obsession. It has consumed all my free time and now all I do is watch Japanese dramas. =)

For the longest time, I had this impression that jdoramas were weepy affairs or highly exaggerated melodramatic dramas and hence, I had very little real interest in watching them. This is mostly due to the strong impressions that Oshin and old Yamaguchi Momoe (
山口百恵) series left on me when I was a child.


Matsushima Nanako, Inoue Mao and Matsumoto Jun

As a result, I almost missed out on Matsushima Nanako (
松嶋菜々子), Takenouchi Yutaka (竹野内豊), Inoue Mao (井上真央) and Matsumoto Jun (松本潤). But by far my most favourite Japanese actor of all time right now is Matsushima Nanako.


Matsushima Nanako

She ranks right up there with my Ada Choi Siu Fun obssession and like with Ada, I have tried tracking down as many of Nanako's series and films as possible. The likelihood of me ever getting my hands on all of them is very slim as some of Nanako's series are quite old but those that I've managed to get my hands on have only increased my regard for one of the best Asian actresses I've ever watched. Unlike Ada, who in my opinion didn't manage to attain the level of regard she should have as one of the best actresses of her generation in Hong Kong, Nanako is loved by many Japanese and scores of Asians and I am one of them.

While I would love to wax lyrical about Hana Yori Dango 1 & 2 (Inoue Mao and Matsumoto Jun were fantastic and Nanako looked lovely) and how divine Nanako was in Majo no Jouken, Bijo ka Yajiuu, Koori no Sekai, GTO, I really need to go as I would like to try and watch as much of Yamato Nadeshiko as possible before the avalanche of work hits when work begins tomorrow.

Someday, maybe I will go into greater detail on just how wonderful Nanako's acting is. Here's hoping that Nanako will continue to act even though she gave birth to her second daughter with husband Sorimachi Takeshi in Nov 2007. She's been working a lot less since her marriage to Sorimachi and I would be really sad if she decides not to work completely anymore. =( I read some where that there is suppose to be a Hana Yori Dango movie which will go into production in January of this year and Nanako will have a small part in it if she recovers in time. If she makes it into the cast for this movie, I would be in 7th Heaven. =)

Okie dokes... am off to watch more Nanako and I leave you with these youtube videos of a series of Nintendo DS =) commercials featuring the still stunning Nanako. =)





cheers =)

Sunday, October 28, 2007

TVB - Steps (舞動全城 )




I know I said I was going to write part 2 of my afterthoughts on my trip to Beijing but that'll have to wait as I now feel like writing a comment on the latest TVB series that I'm currently watching.

As usual, I won't go into details with the sypnosis of the series as you can read about it here in English and here in Chinese.

I must say that this really isn't a very good series at all and if I ever wondered just how little tolerance I have for fluffy romances, I think I've no doubts now that I have very little tolerance for TVB series that are light on drama and story. This series seems like a vehicle to promote the younger TVB fadans and I guess qualifies more like a typical idol series packed full of good looking people and virtually no story.


Bernice Liu dancing, unfortunately, the story is less about dancing and more about herbal tea... grrrr.

The series did start of well enough and I enjoyed the first two episodes and the series did setup most of the relationships and the potential conflicts well and I was genuinely interested in how some of it was going to play out. The English title isn't very elegant but unlike many of TVB's English title, this title actually makes some sense, although sadly not much else makes sense in this series. The series' Chinese title "舞動全城" can be loosely translated as "the whole city dances", hence "steps", as in dance steps. The opening MTV sequence is also entirely about dance, so forgive me if I sound somewhat annoyed when I say that the series is more about $&%*#@&*#@# herbal tea and dumb generic romances than it is about dancing of any kind at all. While I admit that I've not yet finished the series but I'm at ep13 which is more than half-way through the series and the dance portions are quite peripheral to the main story.

The characters are mostly stereotypical and painted in broad strokes of good and bad. The good guys are very good, forgiving, nice and gracious. The bad guys or the characters which aren't the main characters are spoilt, bratty, petty etc. and have few redeeming qualities. But that's not the worst of it. Aside from being shallow, these characters' basic nature seem to change whenever the script needs them to change.


Stephen Hyunh and Chen Fala

What made me mad enough to write this entry is what they did to Chen Fala's character, Ching Ka-man. Strangely enough, I actually found this minor character to be the most interesting of all the characters in this series and I think that's because all the main characters were so damn bland. The main characters, Ching Ka-tsun (Steven Ma), Li Sum-ying (Bernice Liu) and Yeung Sze-man (Kate Tsui) are nice, smart and almost flawless and therefore often boring and sometimes worse, good to the point of nauseating. In contrast, Ka-man is spoilt, angry and self-destructive. Her backstory also gives her even more depth. When she was rather young, her father died and her mother found herself unable to grief, work and care for her two young children all by herself. So she placed Ka-man in the care of the child's grand-mother and sent her son Ka-tsun to boarding school and the family barely saw each other, if at all, and certainly didn't live as a family till Ka-man was in high school. As a result she's deeply insecure, highly emotional, needy and resentful. She's a time-bomb, filled with anger, a sense of abandonment and a desperate need to feel loved, especially from her mother. Her brother, Ka-tsun, is apparently and unrealistically unaffected by this childhood trauma because he's not only older but also because he chose and forced his mother to send him away, unlike Ka-man who didn't have a choice.

At the beginning of the series, it seemed as though they were going to make Ka-man Sum-ying's main adversary. Ka-man takes an instant dislike to her and exhibits fits of jealous rage because she thinks that her mother likes Sum-ying more than herself and Ka-man would go out of her way to set Sum-ying up. While I wished that the script had made Ka-man's antics more intelligent, since the character didn't seem to be set up to be a stupid one, still I was glad that there was some conflict in the dance arena instead of in the herbal tea company.

Then suddenly, in the middle of the series, Ka-man in one of her drunken rages accidentally hurts someone and everyone rallies around her to try and help her out. Suddenly, in a blink of an eye, Ka-man becomes a docile, understanding, loving daughter and sister.

Oh boy.... I was sooooooo pissed. This was by far the most interesting character in the series till ep13 at least. I was hoping that they would develope her and her family a lot more because they have an unsusal and relationship which seemed always in danger of breaking up. But nooooooo..... because Chen Fala isn't one of the more important actresses in this series, they abruptly change her character so that they can drop her storyline midway and give us all the inane, boring and generic romantic blah-blah crap between Ka-tsun and Sum-ying, Sze-man and Dickson (Matthew Ko), Li Lik-keung (Sum-ying's brother, played by Wayne Lai) and Yao Lum-lum (Claire Yiu). Dancing was also abandoned and the herbal tea company's business conflicts took centre-stage.


Pix 1: Wayne Lai, Steven Ma, Pix 2: Bernice Liu, Kate Tsui, Pix 3: Matthew Ko, Wu Fung

Thankfully the performances in general are okay and Steven Ma and Bernice Liu are very watchable. Wayne Lai maintains his usual standard even though his character makes an abrupt and annoying change in the second quarter of the series. Regular B-lister Claire Yiu is also fine. Kate Tsui isn't fantastic but she's not terrible although I do find the quality of her voice to be lacking. I'm also still decidedly unimpressed with Stephen Wong, his horrible enunciation and his slightly wooden acting.


Chen Fala with Steven Hyunh in pix 1. Chen Fala in the centre, Bernice Liu on the right.

The person I actually found myself liking, surprisingly enough, is Chen Fala. For an inexperienced actress, I think she acquitted herself well enough and even though she was saddled with a very unlikeable character, she played her well enough that I found this character less annoying than sad and troubled and hence, sympathetic. It helps too that I do find Chen Fala rather good-looking and like her smile. :)


Pix 1: Steven Ma with the some of the support cast and on his left is the unfortunately Akina Hong Wah who gets yet another thankless role. Pix 2: Bernice Liu and Steven Ma with Claire Yiu who gets one of her rare more important roles in a TVB series.

Bottomline is, don't rent this series unless you really like the stars and I mean REALLY like them or unless you like fluffy romances which don't stimulate the mind. If you like drama and if you like your characters and plot to progress logically, then save your money and go rent something else. Unless a major miracle happens from ep13 till ep20, I'm unlikely to change my assessment of this series.

PART 2 - added 29th Oct 2007

Okay, I've just finished this series and it's official, this series is absolute trash and if it wasn't because I was working and wanted some tv on and if it wasn't because I actually wanted to know what happens to Ka-man, I would have dropped this series at ep13. There was no miracle, there was only disaster as all the characters, especially the so called good guys, managed to become even more unbearable than before.

All I can say is, no wonder Ka-man turned out so screwed up. Not only did she have a really horrid childhood, she got a mother who really didn't know how to help her obviously troubled daughter and a brother who's idea of showing concern is to think that things will work out by themselves and a future sister-in-law who's such a good person she's probably not even homo sapien, no wonder Ka-man turned to the first person who pays her some real attention. Never mind that this woman is so obviously nasty. Ka-man is so desperate for anyone to be the mother she never knew that even this totally I'm-so-bad-it-is-oozing-out-of-my-pores woman would do. It helped poor Ka-man even less that the script also decided to screw her over by abruptly changing her into turn-over-new-leaf daughter just so as to abruptly change her yet again into vengeful, hate-filled, self-destructive daughter. Really, it would have made so much more sense and taken just as little amount of effort to show that Ka-man hasn't exorcised the demons from her childhood. Seriously, I can't really blame her either, her family continues to pay her as little attention when she's good as when she was bad and hey, since it's more fun being bad, can anyone blame Ka-man for becoming bad again?!?!?!? I certainly can't. Fact is, she's simply the most comprehensible character in this series. From the very beginning till the end, Ka-man has always been a lost little girl who's self-destructive tendencies were really her way of crying out for help and all this stems from her feelings of abandonment and loneliness. I really did feel for this character in the end because her mother really did treat Sum-ying better, you never get the feeling any time in the series, except for when Ka-man got into trouble, that her mother even cared about her. Guess that explains why Ka-man got into so much trouble, even though I doubt if the script-writers intended it to be this deep given how shallow the rest of the script and characters are.

Seriously, the script should have shifted the focus of this series to Ka-man and her family. They would have been so much more fascinating, what a bloody waste. Another advantage of making the Ching family the focus of the story would be that the dance would be at the centre of this series as it should have been from the very beginning.

And really, one must give newcomer Chen Fala a ton of credit. She really did play this character relatively well because she is one of the reasons this character worked for me in spite of the inconsistent scripting.

Okay, that's enough ranting from me. I've wasted enough time and brain cells over this pointless and lazily scripted series. =(

Monday, July 16, 2007

Jdorama - Nodame Cantabile


Cast of Nodame Cantabile

I think you can easily tell from the title that I've been bitten by the Japanese drama series bug. And although I've neglected this blog because I've been really busy with work, I just felt I needed to write about this series, so here you go... =)

Aside from HK's TVB dramas, some of the stuff made by Mediacorp Singapore and a few Mainland Chinese series, I really don't watch any other types of series made by the Asian TV industries. Even then, the last Jdorama I watched was Shomuni 1, 2 and 3 which I really enjoyed but I was never truly into Jdorama's since I wasn't able to get good recommendations to the kind of Japanese dramas I liked.

How I came upon Nodame Cantabile is actually a little unusual and makes a mildly amusing story. =) Since Elite Beat Agents on the Nintendo DS, I have been hooked on rhythm games and hunted down Ouendan 1 & 2 just so I could play them. In the process of looking for more rhythm games to play on my NDS, I came upon Nodame Cantabile. While EBA and Ouendan used songs from popular music, Nodame Cantabile differed from them because it used only classical music.

Now I really like classical music and my familiarity with it made playing Nodame Catabile the NDS game a breeze. But what made me really fall for the game was the quirky girl that kept showing up in the story parts. In this game, one takes the role of a conductor and tries to conduct a musical piece by taping or performing movements on the touch-pad with the stylus. This quirky girl didn't seem to have too much to do with the music parts but she kept showing up and even though I didn't have a clue what they were saying to each other, I pretty much figured out she lived in a messy room and made a lot of cute quirky sounds. Now it sounds silly but I for some reason, really liked her character in the game.

So just last week I was in TS video shop when I saw Nodame Cantabile the TV series being sold on DVD. I didn't even have a clue then that Nodame Cantabile was first a manga before it was made into a hit TV series, an anime series and a video game. For some strange reason, I was drawn to the series and the prospect of finding out just exactly what this quirky girl with the funny expressions story was and so I bought the series.

What I definitely didn't expect was just how wonderful this series turned out to be. The series has a cast of quirky characters that are not just for laughs but who influence each other and the story, giving this series depth and warmth. This series is heartwarming without being maudlin. The exaggerated manga/anime-ish moments are also well thought out as they aren't use merely for laughs but also to take off some of the edge of the serious moments so that the series isn't weighed down by melodrama. The background music is mostly comprised of classical music which is very well used and the music is so striking that I do consider the music to be one of the stars of this series. Many of the orchestra performances are also very nicely setup and really do bring across just how grand and moving a live performance can be.

It really helped that this series was very well cast and although Ueno Juri isn't the lead in this series, she played Noda Megumi with so much passion, energy and charm, and so perfectly that without her, I don't think Nodame Cantabile would have been superb series that it is. That's not to say that Tamaki Hiroshi who plays Chiaki Shinichi the protagonist in this series was bad. He was really good too. He was very convincing as the arrogant, very talented and at the beginning very self-absorbed music student. And Tamaki Hiroshi needed to be good because even though this series is titled Nodame Cantabile, the series isn't about Nodame (aka Noda Megumi). Although it is Nodame's love for music and life that influences Chiaki Shinichi and changes him, the story is really about him, his growth as a person and a musician and how the influences of not only Nodame but also Mine, Masumi and a hold host of other people help him to in turn influence them and others to seek out the best in themselves.


Eita as Mine Ryutaro and Mizukawa Asami as Miki Kiyora

Other notable characters and actors in this cast are Eita (plays Mine Ryutaro - violin), Koide Keisuke (Okuyama Masumi - timpani) and my personal favourite among the secondary cast, Mizukawa Asami (plays Miki Kiyora - violin). And yes, the only reason for this paragraph is because I just had to mention them. =) Truth is a lot of the supporting cast is very good, suitably cast and quite memorable.


Support cast

If you love classical music and heartwarming stories about love and friendship, then I urge you to check out Nodame Cantabile the TV series, it is that good. =)

cheers
p.s. now I'll have to hunt down the manga and the anime. =)

Monday, June 18, 2007

A Change of Destiny 天機算 (TVB) - review


copyright TVB

Before I left for Vietnam, I finished A Change of Destiny. I'll try and keep this review relatively short as the truth is there is virtually nothing good to say about this disastrous 20-episode series. TVB's track record this year has been pretty dismal. And although I've yet to see all the series released, I have seen the majority of them and most of them have been frustratingly below par.

So back to this series. This is probably as bad as Devil's Disciples in its aimlessness. The script lacked focus and showed a lack of ideas, research and worst... effort.

It's a real pity as I felt that this series had some potential but far too much time was spent on setting up the relationships and the personalities of each of the major characters. While this is important, it really doesn't take more than half the series to set up the protagonists' personalities and history with each other. Seriously, I don't think I need to see 15 episodes of the two main male characters Yip Yeung (Benny Chan Ho Man who was horribly annoying and really over-acting in this series) and Yuen Hei (Steven Ma Jun Wai 馬浚偉) being idiotically juvenile for me to know that they are immature and that Yip Yeung is a bratty rich kid while Yuen Hei is a poor kid who wants more.

This series also suffers from a very common TVB series failing and that is the over emphasis on the romance in the series. Now if this was a romance or romantic comedy or a typical idol series, the concentration on the trials and tribulations suffered by the various couples would not only be fine but warranted. But A Change of Destiny isn't a romance and by placing so much emphasis on the silly romance and worse, the more juvenile aspects of romance, it only makes this series seem either devoid of ideas or lazily scripted.

The characters in this series are also terribly badly written and they change at will depending on where the writer feels he wants the story to go. With 20 episodes to play with, it is appalling that the writers/producers of this series didn't make better use of it to focus on character development so as to better illustrate the theme of this series. It just won't do to have characters like Yip Yeung and Yuen Hei flip-flop without any proper explanation as to how or why their characters change the way they do, or how their relationship with each other can change so drastically. They go from enemies to friends in the space of one scene. Just giving the viewers one scene to say that they are in a similar predicament and hence, begin to feel sympathy for each other after episodes on end of them hating each others guts just doesn't cut it. It is difficult for the viewer to figure out just how and why they would begin helping each other out.

Yip Yeung and Yuen Hei's characters are horribly contradictory and while I know the writer hopes to show that these are imperfect characters, his decision to place too much emphasis on their juvenile and immature antics and rivalry for a good part of the series gives them so much imperfection that it is difficult to reconcile the better parts of these men's characters with their worse halves. And in the end, they come across more ridiculous than imperfect.

It doesn't make it easier when the series introduces unrealistic and inconsistent characters like Princess Fei Fung (Mimi Lo) and her maid Sum Yi (Selena Li Sze Wan 李詩韻). While they do try and setup the fact that Princess Fei Fung is an atypical princess, she has so little princess in her character that she's more like just a girl from a rich family which lends little credibility to her character. Her maid Sum Yi doesn't fare much better. She is at times too streetwise to be a palace maid and at times so naive and pure that she seems like the typical cloistered maid of the imperial palace. Sum Yi, like the rest of this series, makes very little sense.

In the end, the only characters I feel favorably for are Fok Yi Na (Shirley Yeung Si Kei 楊思琦), Li Sing Tin (Yuen Wah 元華) and Yuen Zi Yan (Rebecca Chan Sau Chu 陳秀珠). Although, I usually find Yuen Wah more annoying than effective in most TVB series, his Li Sing Tin is a good person and his actions are relatively well explained and can be easily understood. The same goes for Fok Yi Na and Yuen Zi Yan's characters. But these characters aren't the focus in this series and they aren't even that memorable and hence, aren't able to add too much to this dismal series at all.

It is a real pity that the executive producer of this series didn't exercise better control of this series. It really did have the potential to explore the greater themes of fate, destiny and free will. It is also the perfect opportunity to introduce audiences to one of China's lesser known mystical books, the Tui Bei Tu (推背圖), loosely translated as "Back Pushing Diagrams". Click here and here for more info.

The series begins by detailing the historical backdrop for the series and introducing the audience to a lesser known Chinese book of divination and prophecy called the Tui Bei Tu. The reason why I call it a lesser known book is because the book that most people know is the I Ching. The easiest way to describe the Tui Bei Tu is to say that it is like a Chinese version of a book written by Nostradamus. It is a book about prophecy and it is as open to interpretation as the prophecies written by Nostradamus.

The basic question this series asks is if one can use these traditional Chinese methods of divination to try and predict the future and to change one's fate. Several characters are obsessed with trying to change their fate by either predicting the future using the existing signs or trying to manipulate things and people so as to swing things in their favour.

So the series begins the story in the Tang Dynasty and first introduces to audiences the joint creators of the Tui Bei Tu, Li Chun Feng 李淳風 and Yuen Tian Gang 袁天罡. The series then briefly talks about how these two men became bitter rivals and how the Tui Bei Tu was then divided between the men and passed on to their descendants. The Li family held on to the diagrams while the Yuen family held on to the inscriptions for each of the 60 diagrams. Without the pairing of the two parts, it would be impossible to decipher the prophecies. With that, the Li family and the Yuen family parted ways and they also agreed that their two families will have nothing to do with each other in the future. Now as we all know, in any story, this wouldn't do and so naturally, their descendents do meet and everyone from Song Emperor Zhao Guang Yin to Yip Yeung would like a piece of it.

Now in the series, Li Shing Tin holds the diagrams and Yuen Zi Yan holds the inscriptions and the key to unlocking the secret of the Tui Bui Tu. While looking for his long-lost wife and daughter, Li Shing Tin will take on Yuen Hei as his disciple and he will also meet Yip Yueng. What is interesting about Yuen Hei and Yip Yeung is that the two young men are born on the exact same day and at the exact same time. Yuen Hei is thus puzzled and dissatisfied that he should be an orphan and poor while Yip Yeung is a rich and spoilt young man. The question that Yuen Hei wants the answer to is if Yip Yeung and him have the exact same horoscopes, then how is it that he doesn't live a better life. Yuen Hei wants Li Shing Tin to help him to change his destiny. Meanwhile, Yip Yeung will face several trials later in the series and he too will want to change his destiny.

So the stage is set for the opportunity to discuss more interesting issues like whether a man's life and future is beholden to powers beyond him or if a man's destiny lies in his own hands. The series makes a few feeble attempts to answer the various interesting questions they bring up but all these attempts are quickly squashed under the weight of poor scripting, characterization and plot progression. And while the series does try and reach for a more powerful ending by suggesting that Yip Yueng and Yuen Hei's destinies lie in the decisions they make, still it is too little too late as these more important plot points come far too late in the series and they are surrounded by too much inconsistency in the plot and the characters for the series to make any significant statements about the questions it asks.

What a pity, what a waste. In short, do not rent this series. It's certainly not worth the money nor perhaps the amount of time I took to write this longer than expected review. =)

Tuesday, March 27, 2007

Devil's Disciples 强剑 (TVB) - Review


The poster and the main cast, minus the veterans.

As always... a spoiler free review.

I was really looking forward to this series and have a favourable view towards most of the cast members so it pains me somewhat to say that this has to be one of the worst TVB series produced this year. Right now, I can't decide if this is as bad or worse than The Brink of Law and the only thing that's majorly in its favour right now is that
Devil's Disciples is only 20 episodes long.

This is very disappointing work from Lau Kar Ho (
刘家豪) who's The Gentle Crackdown was quite a good watch and is in my opinion one of TVB's best series in the last couple of years. Lau's When Rules Turn Loose was a bit of an iffy watch but benefited from sterling performances from the veterans and very good performances from Patricia Lau Cheuk Kei 劉綽琪 (sadly, no longer with TVB) and Wayne Lai Yiu Cheung 黎耀祥. Although Devil's Disciples included both Patricia Lau and Wayne Lai, poor Patricia's role was so minuscule that even if she was as brilliant as she was in When Rules Turn Loose, she could not save this series.

It is doubly disappointing that Lau wasted a cast which not only boasts the talents of Patricia Lau and the ever reliable Wayne Lai but also included Law Koon Lan
羅冠蘭 and some of TVB's more prominent young talents like Bosco Wong Chung Chak 黃宗澤, Bernice Liu Bik Yi 廖碧兒, Kevin Cheng Ka Wing 鄭嘉穎, Shirley Yeung Sze Kei 楊思琦 and Sharon Chan Man Chi 陳敏之. Terrible scripting, poor direction, flat characterization and bad casting doomed this series almost from the very beginning.

As usual, I won't really go into the synopsis of this series. If you want to read the English synopsis, please click here. There really isn't much of a story in this series. It's pretty much genre stuff and nothing is too hard to guess anyway. Fact is, they pretty much revealed who the main bad guy is in the very first scene anyway so no suspense there and the stupid opening song pretty much reveals who the couples are too. I'm not even one of those people who believes that every series must have surprises and be different and fresh. Just take a look at the very enjoyable Face to Fate. Now
Face to Fate doesn't have a storyline that is all that different from other wuxia series but where it does succeed is that its story is tightly told, well paced and the leads are well cast and it is precisely all these things that Devil's Disciples lacks.

Devil's Disciples actually began reasonable well and gave us a few quirky characters who had the potential to be relatively likeable by the end. But by the end of the series, your patience with Mrs Shing (Law Koon Lan) and Shing Kung (Johnson Lee Sze Jit 李思捷), the hero Shing Fung's (Bosco Wong) mother and older brother have probably run quite thin. Initially, I thought that the humour was quite well placed and that this series aspired to be like The Gentle Crackdown in some ways until I figured out that one of the biggest problem with this series is that, unlike The Gentle Crackdown which is a comedy, Devil's Disciples has a lot of serious drama in the series and the physical humour, the cheers and the musical song and dance bits sit very, very, very uncomfortably with the serious portions. Beside the pointless script, it is this uneven tone throughout this series that is one of the series' big failings.


Bosco Wong and Kevin Cheng

It didn't help too that aside from the meandering storytelling and the ill placed comic moments, the executives at TVB decided to cast Kevin Cheng (plays King Lui) and Bernice Liu (plays Pak Tong Chi Lung) in this series. I'll admit right off the bat that I'm not the greatest admirer of Kevin Cheng's acting abilities. Now that is not to say that I don't like him or that he sucks but to me Kevin Cheng is not a versatile actor. He is very good in lighter series and happier roles like the ones he played in Yummy Yummy and Under the Canopy of Love but serious, brooding wuxia hero he is not. Kevin Cheng seemed a little ill at ease in the role and he also didn't seem able to grasp the type of movement and speech patterns required for wuxia series.



Bernice Liu

The lack of understanding of the required movement and speech patterns for the wuxia series is definitely the biggest reason why Bernice Liu is completely inadequate to play the role of the Second Senior Disciple of the Sacred Sword Clan and the daughter of Pak Tong Ngo, master of the Sacred Sword Clan (played by experience wuxia series veteran Eddy Ko Hung 高雄). She lacks the bearing of a proud, confident and powerful heroine who is an important member of the Wulin's most righteous, prominent and influential clan. Let's not talk about the veterans of wuxia like Ada Choi Siu Fun 蔡少芬, Brigitte Lin Qingxia 林青霞, Cheng Pei Pei 鄭佩佩, Sheren Tang Cui Man 鄧萃雯 etc, simply compare Bernice's acting to peers like Tavia Yeung Yee 楊怡 in Face to Fate and Twin of Brothers or Nancy Wu Ding Yan 胡定欣 in the same two series and the difference should be immediately obvious. Bernice Liu is not experienced enough in the wuxia series, or perhaps she's just too Westernise, to grasp the differences required in wuxia, period and modern series. It didn't help too that Bernice Liu was brought up overseas and her Cantonese isn't very strong. She definitely had trouble articulating the more difficult period and wuxia terms in Cantonese which added to her appearing less than capable in this role. Don't get me wrong, I like Bernice Liu and have liked her from as far back as Virtues of Harmony (the period version) and Survivor's Law but there is no denying that she was wrongly cast in this series because currently she just doesn't have enough experience to lead a wuxia series.

I hung on as long as I could before I skipped to the end and then returning to fast forward though episodes 16-18. I jumped to the end thinking that this being a wuxia series about the epic battle between good and evil, that there would be a mother of all battles at the climax of the series but boy was I wrong. Instead, we get an ending which rivals the moronic ending for Square Pegs. The ending was once again a hark back to Lau Kar Ho's more successful series The Gentle Crackdown and we get a lot of silly comedy which grated as what transpired before that was a serious discussion about the merits of letting go of hatred and the death of a major character in the series. In fact, the death of the major character was dealt with as though it was simply an unimportant side-note and it made me mad that the series didn't even end with a big fight and more emotion to justify this death. I felt sorry that this character was needlessly sacrificed since if Lau Kar Ho was going to end this series in such a comic fashion, then it made no sense to have any of the more important characters die or be sad so near the end of this series. It all the more clearly shows just how amateurish Lau Kar Ho's attempt at mixing tones and genres is.

What is also quite unforgiveably bad about this series is the over reliance on computer graphics. Instead of nicely choreographed fights we get CG, CG and more CG and it isn't even great CG. I know CG is expensive and they certainly can't afford CG like the kind we see in Stromriders but that said, the fights scenes use very little real movement and not even a lot of wire-fu. Some credit has to got to Eddy Ko Hung, Wayne Lai and Sharon Chan for making at the very least their fight scenes a little bit more interesting in spite of all the lousy CG in the series.



Sharon Chan

Perhaps the only saving grace in this series is Sharon Chan. I've liked this support actress for quite some time and am glad to see that TVB is giving her B-List roles like the role of Mok Man in this series. She, like Nancy Wu, Leila Tong Ning 唐寧 and to some extent Tavia Yeung really need way more support from TVB. These are most certainly some of their stronger and more versatile actresses and it is a pity that of this lot, not even Tavia Yeung and Leila Tong can say that they've truly led any series.

Sharon Chan is extremely good as Mok Man, the tormented hate-filled leader of the Blood Shadow Clan. Her clan was exterminated years ago by Pak Tong Ngo who lead the "good" clans of the wulin on a crusade to eradicate evil but who actually had an ulterior motive to steal a treasure from the Blood Shadow Clan. Sharon Chan's performance as Mok Man had traces of the brilliance Ada Choi showed as the temperamental and sometimes cruel Bride with White Hair in TVB's The Romance of the White Haired Maiden and if you know me, you'll know that that is one of the highest compliments I can pay to a TVB actress. Sharon Chan's Mok Man was tempestuous, temperamental, proud, cruel and powerful but yet underneath her hate and anger, her Mok Man exhibited pain, sadness and a sense of lost, subtly but surely in her eyes and gestures. It was Mok Man that kept me watching to to the bitter end for without Mok Man, I would have ditched this series by about episode 9 or 10.

In short =) , don't rent this series. Wait for it to be telecast on tv, it's not worth your hard earned money and precious time. And while I felt Sharon Chan was fabulous and the veterans were good as usual, all those reasons are not reason enough to waste both time and money on this series.


Thursday, July 13, 2006

Lazy Days....




Been a little lazy these few days but now am impatient to getting back to really working on Maya. Moreover, I will have to hand in another assignment next week so I can't really laze about too much.

But the last few days were very relaxing and rejuvenating. Went cycling and swimming, watched an ATV tv series (Legend of Fang De and Miao Cui Hua), did some Maya homework and generally did everything in a leisurely pace.... nice. =)

A little bit about Legend of Fang De and Miao Cui Hua. This series stars Patrick Tam as Fang De (Fong Tak) and Amy Kwok as Miao Cui Hua (Miu Cui Fa). Amy Kwok has been one of my favourite HK tv actresses for a very long time. I like her almost as much as I like Ada Choi. Amy has a really great onscreen smile and everytime she smiles in that goofy but endearing fashion, my heart melts. =) All in all, it wasn't a bad series. Amy and Patrick were very good in their respective roles and they had a lot of chemistry. Their characters were also rather interesting with Patrick's character and another male character (Chan Chin Pang's Lui Lou Fu) being the most interesting in the series. I also really like Fong Tak's mother and the actress who plays her. She, Amy and Patrick had a lot of chemistry too and the three were quite hilarious together. Chan Chin Pang was also really good as Lui Lou Fu and Lui Lou Fu himself is a very interesting character. The Mainland actress who plays Chan Siu Wan, Mui Cui Fa's shi-mei wasn't bad too.

The major letdown for this series was in the last section after the birth of Fong Sai Yuk. If you know your Chinese tv series and your Chinese folk heroes then you'll know that Fong Tak and Mui Cui Fa are Fong Sai Yuk's parents. The first portion before the great 18 year leap forward deals with the lives of Fong Tak and Mui Cui Fa when they were young and when they first met.

The series succeeds in the beginning not just because of the very good performaces from the leads but also because it had a whole host of interesting characters and relationships. Except for Luk Tung Tong, the big bad guy in the beginning, none of the major characters are 100% good or 100% bad, instead, they are deeply flawed. But the series doesn't get bogged down in a quagmire of overly serious issues. Instead, the series mixes in the right amounts of drama and comedy to give these characters far more dimension then the usual tv series.

Unfortunately, it suffers from a problem many Chinese tv series suffer from and that is, they don't know when to stop. They really should have stopped after the birth of Fong Sai Yuk. The latter section involving the young people got rather boring as their story seemed so ordinary and juvenile compared to the generation before their's.

Alrighty, that's it for now. Before I go, here's two pix of my toy collection. =D

cheers